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    II

    That night Gabriel Andersen in his little room in the schoolhouse did not write poems as usual. He stood at the window and looked at the distant pale disk of the moon in the misty blue sky, and thought. And his thoughts were confused, gloomy, and heavy as if a cloud had descended upon his brain.

    Indistinctly outlined in the dull moonlight he saw the dark railing, the trees, the empty garden. It seemed to him that he beheld them—the three men who had been shot, two grown up, one a child.

    They were lying there now at the roadside, in the empty, silent field, looking at the far-off cold moon with their dead, white eyes as he with his living eyes.

    “The time will come some day,” he thought, “when the killing of people by others will be an utter impossibility. The time will come when even the soldiers and officers who killed these three men will realise what they have done and will understand that what they killed them for is just as necessary, important, and dear to them—to the officers and soldiers—as to those whom they killed.”

    “Yes,” he said aloud and solemnly, his eyes moistening, “that time will come. They will understand.” And the pale disk of the moon was blotted out by the moisture in his eyes.

    A large pity pierced his heart for the three victims whose eyes looked at the moon, sad and unseeing. A feeling of rage cut him as with a sharp knife and took possession of him.

    But Gabriel Andersen quieted his heart, whispering softly, “They know not what they do.” And this old and ready phrase gave him the strength to stifle his rage and indignation.

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